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To Know Christ and to Make Him Known

Weekly Music Notes

Jan. 29, 2017: Asymmetrical 5/8 Meter (“They Cast Their Nets”)

Today’s Music: Last week I wrote about an asymmetrical meter, a grouping of the prevailing rhythmic pattern into measures of 7 beats each. This Sunday’s anthem, (“They Cast Their Nets”), has another such meter, this one 5/8 – five eighth notes are grouped in each bar of music. Sometimes choice of a “lopsided” meter is for musical effect only; in this instance I was led to choose this meter because of the “fishermen” theme of the text and my observation that boats do not actually bob in the water symmetrically. Although 6/8 is often used for nautical-themed music, if you watch a boat ride out a wave you’ll see that it appears to rise a bit more quickly than it sinks, so I thought 5/8 better captured the feeling of a boat in the water. The piece is also in a minor key because, notwithstanding the seaside imagery, the text is rather dark in mood. David Boelzner

Jan. 22, 2017: Asymmetrical 7/4 Meter (“Their is a love”)

Today’s Music: The vast majority of the music we listen to has regular rhythmic patterns that are reflected in music notation in groupings called meters – marked off in the music by vertical “bar” lines. We are all familiar and comfortable with regular meters such as 4/4 or 2/4, used for marches, for example, or 3/4 used for waltzes. The fraction, which appears at the beginning of the piece, tells the musicians which note gets the pulse or beat (/4 = quarter note, /8 = eighth note) and how many of them are grouped in each bar or measure (3/ = three beats). Today’s anthem (“There is a love”), though, is in 7/4 (somewhat inappropriately called an asymmetrical meter). See if you can hear the pattern, which may come across as a bit lopsided. David Boelzner

Dec. 24, 2016: “Puer nattes” by Joseph Reinberger

Christmas Eve Music Notes: The Prelude is a duet with organ, “Puer natus in Bethlehem,” (A child is born in Bethlehem) by Joseph Rheinberger. Rheinberger (1839-1901) is undoubtedly the most famous composer ever to come from tiny Liechtenstein. He was a child prodigy whose gifts rather alarmed his parents; he held a post as organist at the age of seven! Though known today principally to organists for his twenty organ sonatas, his organ music was actually a comparatively small part of his output, which included many choral works and chamber music. He believed music should be flowing and always melodic, which is clearly demonstrated in “Puer natus.” David Boelzner

Dec. 4, 2016: “In Christ Alone” by Brian Littrell

Music Notes: Brian Littrell, a native of Kentucky and the composer of today’s sequence hymn, is best known as a member of the Backstreet Boys. Since their heyday, he has written five top-twenty solo singles on the US Christian chart, with “In Christ Alone” reaching number one in the summer of 2005. A Christian since the age of 8, Littrell was inducted into the Kentucky Music Hall of Fame in 2015. Ann Boelzner

Nov. 27, 2016: Bach’s cantata Wachet auf, ruft uns die Stimme

Music Notes: Today’s offertory, a chorale prelude for organ, is from Bach’s cantata Wachet auf, ruft uns die Stimme. Bach’s cantatas are multi-movement works for soloists and chorus, based on chorale tunes, the Lutheran equivalent of chant. Wachet auf was written originally for what is now Proper 27, Year A, a Sunday which does not occur all that often in the church calendar. Because the prescribed readings, 1 Thessalonians 5: 1-11 (be prepared for the day of the Lord) and Matthew 25: 1-13 (the parable of the Ten Virgins), are also associated with the season of Advent, the cantata is commonly used during that season. Performed only once during his lifetime, the cantata is now regarded as one of Bach’s finest. David Boelzner

Nov. 20, 2016: (Where) “The Soul of Man Never Dies”

Today’s Music: Today’s anthem, (Where) “The Soul of Man Never Dies,” is a reprise from August’s Bluegrass Sunday. Major artists who have recorded this piece include Hank Williams, Sr., Johnny Cash, Willie Nelson, and the duo of Tony Rice and Rick Skaggs. Little is known about the composer, William Golden. Cyberhymnal suggests Mr. Golden wrote this and other music while serving an eight-year sentence in the Mississippi state penitentiary. A. Boelzner

Nov. 13, 2016: “There’s a Wideness in God’s Mercy” (setting by Calvin Hampton)

Today’s Music: The anthem this morning is a lovely and unusual hymn setting by the American organist and composer Calvin Hampton. Born in Pennsylvania and raised in Ohio, Hampton served as organist from 1963 to 1983 at New York’s Calvary Episcopal Church, where he gave a popular recital series for nearly ten years. He was also influential in organ design. This hymn, like others of his, has a somewhat wistful character, sweet but without being cloying. Hampton died tragically at age 45 of AIDS. David Boelzner

Oct. 30, 2016: Canticle 12 setting from WLP

Music Notes: For many of us, the Wonder, Love, and Praise Setting of Canticle 12 may be new. The music, Whitehead, is the composition of Dr. William Bradley Roberts, Associate Professor of Church Music at Virginia Theological Seminary. Dr. Roberts was previously the Director of Music Ministry at St. John’s Episcopal Church, Lafayette Square, Washington DC.  His long resume includes serving as chair and founding member of the Leadership Program for Musicians (with which I did study a few years ago) and board member of the Anglican Musicians’ Mentoring Project. Ann Boelzner

Oct. 23, 2016: “Jesus, the very thought of thee”

Today’s Music: The anthem is a chant-like setting of “Jesus, the very thought of thee” by Arlen Clarke, an American composer and choral director currently serving St. Mary’s Catholic Church in Greenville, SC. The vocal lines are simply repetitions of the melody, with the variety supplied by the changing sonorities in the piano accompaniment. Clarke studied with Lloyd Pfautsch at SMU, and this piece is very reminiscent of some of Pfautsch’s work. DB